THE OYA BASAK
CONFERENCE PROGRAM
Dramatic Reading:
Talat Halman, Bilkent University and Yildiz Kenter, Actress
“Shakespeare from John Bull to
12:00-13:00 Plenary Session (Chair: Suheyla Artemel, Yeditepe/Bogazici University)
John
Drakakis,
“Shakespeare's
Venetian Plays”
A B C
|
Chair: D. Doltas, Dogus U. |
Chair: S. Irzik, Bogazici U. | Chair: D. Akar, Bogazici U. | |
|
Martin Quinn, Diplomat “ ‘Troilus
and Cressida’ Revisited” |
Jeremi Szaniawski, Free “Could
Shakespeare’s King Lear make for a
Hollywood Blockbuster Movie?” |
José L. Oncins-Martínez, “Observations on the
manipulation of fixed expressions and idioms as a conversational strategy in
Shakespeare’s plays.” |
|
|
Nancy Milford, Hunter College CUNY “Reinventing
Shakespeare: Changes in the great Bard's Biographies” |
Linda Bradley Salamon, “Performing Gender: The Clothing of Desire in Shakespeare's
Twelfth Night” |
Gillian Alban, “What makes Measure for Measure tragical-comical, compared to the tragedies Hamlet,
Othello and Macbeth?” |
|
|
Jale Parla, “The Marvel at the Center: Shakespeare's Conception of Man
in Relation to his Conception of Historical Necessity” |
Robert Erle
Barham, “Hermione’s Transformation in The Winter’s Tale: A triumph of Art or Nature?” |
Gonul Bakay,
“Portia and Cordelia: Shakespeare’s Powerful Women Subverting The Male Order” |
|
A B C
|
Chair: S. Bozkurt, Baskent U. |
Chair: D. Ceylan, Bogazici U. | Chair: L. Gulcur, Bogazici U. | |
|
Duncan Chesney, Bilkent University “Shakespeare’s American
Inheritor :William Faulkner” |
Didem Uslu
& Arsev Arslanoglu, “The three daughters of King Lear reborn: examples from Chekhov, |
Ozlem Ogut, “Always on the
Threshold: Heiner Müller’s
Hamletmachine in Postmodern Space and Time” |
|
|
Todd Carmody, “Joyce, Shakespeare,
and Last Rites” |
Sabbar Sultan, Al Isra University “Deconstructing Shakespeare
Two
Contemporary Examples: Stoppard’s Rosencrantz
and Guildenstern Are Dead (1967) and Bond’s Lear (1971)”
|
David Porter, “The Drama of Consciousness: A Feature of
Shakespeare's Art Highlighted by |
|
|
Ozlem Gorey, “ ‘Maybe to you it looked like I just vanished, but I was out there’:
Rewriting King Lear through the
Daughters’ Eyes in Jane Smiley’s A Thousand Acres” |
Meryem Ayan, Celal “Rewriting Shakespeare: Reshaping King Lear |
Carolyn Jess, Queen’s |
Ed
Esche,
“A Study of Character”
Suheyla Artemel,
“The
Representation and Non-representation of the Turks in the Plays of Shakespeare
and his Contemporaries”
A B C
|
Chair: Ö. Görey, Bogazici U. |
Chair: Z. Ergun, Istanbul U. | Chair: S. Antikacioglu, B. U. |
|
Saliha Paker, “Shakespeare in Turkish: Preface for a Translation
History” |
Ramon Lopez Ortega & J. L. Oncins Martinez,
“The Translation of Shakespeare into Spanish:
Possibilities and Limitations” |
Tapati Gupta, “Into An-‘other’
Script Shakespeare
Translations in Postcolonial |
|
Sevgi Sanli, Playwright, Translator and Dramaturge “Translating
Shakespeare” |
Sergia Amigo & Luis “The Sonnets in Spanish: The poetic word
transmigrated” |
Ayse Nur Demiralp, “ ‘Unnatural Englishmen’: Representation of Social Protest in
Shakespearean Drama” |
|
Ali H. Neyzi, Writer/Translator “Trials and tribulations of a translator” |
Bogazici Performing Arts Ensemble/Theatre
Bogazici “An Analysis
And Stage Application Study On Hamlet” |
Meg Russett, “The Knocking at the
Gate: Shakespeare, Skepticism, and Romantic Theatricality” |
14:30-15:30 Plenary Session
Ali Taygun, Theatre Director and Actor
Dramatic Reading
Adrian
Brine, Theatre Director
“Shakespeare, The First
Professional Playwright”
A B C
|
Chair: N. Milford, Hunter Col. |
Chair: I. Almond, Bogazici U. | Chair: G. Sayin Teker, Dogus U. | |
|
Robert Machado, “Subplots
and 'Insignificants': Desdemona in the Background of Othello" |
Tom Band, “Look not like th’ inhabitants o’ th’ earth”
French Cultural influence on British Theatre with specific reference to Michel
St. Denis’s production of Macbeth in 1937. |
Hande Seckin Tekdemir, “Cursing And Curving Language In A
Tempest By Aime Cesaire” |
|
|
Asli Tekinay, “ ‘Othello’ Rewritten:
Paula Vogel’s ‘Desdemona: A Play About A Handkerchief’ ” |
Feryal Cubukcu,
Dokuz Eylul
“Macbeth's Concern with Text-Making” |
Seyhan Ozmenek,
“Representations of Caliban/Prospero Relationship in Four Screen Adaptations
of William Shakespeare’s The Tempest” |
|
|
Iclal Cetin, State
“Brecht’s Adaptation
of Coriolanus: A Comparative Study
of Acts 5.4 and 3.1” |
Turgay Bayındır, “Parody of Courtly Ideals and the Reassertion of
Social Norms in Twelfth Night” |
Clare Brandabur, “Postcolonial Readings
of Shakespeare's The Tempest:
various interpretations of Caliban, Ariel,
Prospero, and Miranda” |
Bogazici University Players
"Troilus and Cressida
Gordon
McMullan, King’s College London
“ The
technique of it is mature:
Inventing Shakespeare’s late plays in print and in performance”
Aysegul Yuksel,
“Lady Macbeth: Macbeth’s Binary
Opposite”
A B C
|
Chair: Ö. Ögüt, Bogazici U. |
Chair: A. Tekinay, Bogazici U. | Chair: A. Erbora, Istanbul U. | |
|
Gordon Campbell, “Two
epitaphs: |
Panayiota
Mini, “Reflecting on the purpose of art and the artist’s role
in a society:
Kozintsev’s Interpretation of Hamlet.”
|
Aysem Seval
Demiriz, “A Will of Its Own: The
Body Image in Hamlet” |
|
|
Necla Cikigil, Middle
Eastern “Shakespeare’s Texts
Translated into a Different Performance Medium: Shakespeare in Dance
Language” |
Gulsen Sayin
Teker, “A Mad Woman in the
Court: Ophelia Revisited in Cinema” |
Mimi Yiu, “Rearranging Getrude’s Closet Scene: Architecture, Subjectivity and Hamlet’s Transitional
Spaces”
|
|
|
Himmet Umunc, “Where More Is Meant:
The Hermeneutics of Re-Reading Shakespeare” |
Yeeyon Im, King’s College London “Peter Brook’s
Intercultural Hamlet (2000)” |
Eman Karmouty,
"Something
is rotten in the state of …" |
Basar Sabuncu, Theatre
Director
“An
Indecent Approach to Shakespeare”
Isil Kasapoglu, Theatre
Director
“Shakespeare
as a Turkish Playwright”
Sevda Sener, Bilkent University
“Shakespeare’s
Tricky World”
Merih Tangun, Mimar
Sinan University State Conservatory
“The
Influence of Language on Performance in Shakespeare’s Sonnets”
A B C
|
Chair: K. Fortuny, Bogazici U. |
Chair: M. Russett, USC. | Chair: S. Ertugrul, Bogazici U. | |
|
Esin Akalin, “(Re)Reading
Shakespeare Through The Stage Art Of John Philip Kemble
And Edmund Kean In King Richard The Third” |
Ahmet Suner, “Words, Gifts, Binds and Nothing: The Unbalanced Economies
of Shakespeare’ Timon of |
Hasibe Kalkan
Kocabay,
“The Other Shylock” |
|
|
Neslihan Ekmekcioglu, “‘Being Nothing’ : The
Dual Aspect of The King’s Existence Leading to Existentialist Approaches in
Three Different Productions of Richard
II”” |
Nazmi Agil, “Much |
Devrim Taylan
Yildiran,
“Haunting Shakespeare, Haunted by Shakespeare” |
|
*Simultaneous Translation is available.
Semaver Kumpanyasi;
Director : İsil Kasapoglu
“Twelfth Night”